Having said this, there are a lot worse guitars out there, and as well as being historically important, the 1820 bass can certainly provide the goods when required. These vintage Fender short-scale basses are outstanding instruments This example is in solid condition with heavier finish wear and a notable ding on the back of the neck. We may consider 420v or so to be the high end of the range and 290v as per the MMB to be the low end of the range. Over the course of the 70s, the Japanese output improved dramatically, and in many ways these early 70s models are a low point for the brand. I was wondering if anyone has played through one of these I was able to pickup a very nice one for 20 today The guy on Craigslist didnt know what he had because these are going for anywhere from 200 to 500 on Ebay. The supply voltage in Champs and Vibro Champs is typically over 400v, way off the 6V6 data sheet but typical of '60s Fender 6V6 amps. It’s worth noting that while the Musicmaster and Duo-Sonic were smaller student models aimed at beginners, in no way were they lacking in the quality present in Fender’s pro-level instruments. These new Epiphones were based on existing Matsumoku guitars, sharing body shapes, and hardware, but the Epiphone line was somewhat upgraded, with inlaid logos and a 2x2 peghead configuration. The Musicmaster stayed, remaining in the Fender lineup until 1982 (and joined by the Musicmaster Bass model of 1971-1981). The neck is straight and the truss rod functions properly. The Matsumoku factory had been producing guitars for export for some time, but the 1820 bass (alongside a number of guitar models and the 5120 electric acoustic bass) were the first Epiphone models to be made there. This guitar is lightweight and a joy to play Overall this is a killer pre-CBS Musicmaster that will not disappoint There are no breaks or repairs to the body or neck. It’s a Tonemonster, Killer Verzerr-Sound. By the end of the 1960s, a decision had been made to move Epiphone guitar production from the USA (at the Kalamazoo plant where Gibson guitars were made), to Matsumoto in Japan, creating a line of guitars and basses significantly less expensive than the USA-built models (actually less than half the price). in 1979 Power rating: 12 watts RMS Valves: Original Fender 1 x 12AX7 (preamp) and 2 x 6V6 (power amp) Speaker: Original. Fender Musicmaster Bass, Silverface, 70’s, 15Watt Vollröhren mit 2x 6V6, wurde eigentlich für Bass gebaut, klingt aber sehr gut mit Gitarre, 1×12 Jensen Speaker, modifiert von unserem Amptech. FENDER MUSICMASTER 1x12 BASS AMP COMBO (1970-82) VINYL AMPLIFIER COVER (fend031) Brand New.
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